Como la agua, que brilla sin luz (2023)

Como la agua (2023) and In the Shoal (2023) explore and aim to create an audio language around the ingenuity of unmappable spaces like the shoal. In her book The Black Shoals: Offshore Formations of Black and Native Studies, Tiffany L. King uses the shoal which is “an offshore geologic formation that is neither land nor sea…Rising and falling with the tide, the shoal is an interstitial and emerging space of becoming.”, as a method of not only understanding the connection between Black and Native studies, but also understanding the shoal as a fluid and imaginative space that plays with time, solo and collective memory through collaging audio from afrohouse sets, the Mississippi River, the Atlantic Ocean, and Lake Wesserunsett.